I want Neil Gaiman's imagination. He doesn't just come up with a storyline. Nope, he has to come up with entire worlds, filled with characters that couldn't come from anywhere else but his imagination: trickster gods, dead princes — and now London Below.
Thus is the case with Neverwhere, a slightly beaten hardback I found on the shelves of the local used book store months ago but saved until now. (One does not rush Gaiman works. One savors them, approaches them carefully. One can only handle so much assault on reality and yet remain in it.)
Richard is living his life as best he can. It's not a bad life. He has a job, a social life, a new fiancée — all in all, not bad. However, it's not exactly good, either. Like so many of us, Richard is going through the motions, living a life he has sort of stumbled into — and one, like a soft, fuzzy but sticky web, he can't escape. On a disastrous Friday afternoon with seemingly typical debacles involving work and Jessica (the aforementioned fiancée), he starts out for dinner.
He never makes it.
A young woman appears on the sidewalk in front of him and his fiancée, seemingly having fallen out of a wall, and bleeding. Jessica sidesteps around the young woman, but Richard can't. He picks her up and carries her to his aparttment, despite Jessica's stern warning about missing dinner with her (very powerful) boss. He doesn't listen. He must help the young woman.
Her name is Door, this strange, small and wounded woman. From the first, the encounter is one not to be understood. Can she really talk to rats and pigeons? Is he truly dozens of stories above London? Who is this marquis? And where did that copy of Mansfield Park come from on his shelves?
When she leaves, she apologizes with a great air of sadness. He doesn't know for what. He also is very insulted by the marquis, who dismisses him without an inkling of respect. After Jess (excuse me, Jessica) leaves a message on his answering machine, he's not inclined to venture out until work Monday morning.
And that's where it gets weird. (You'd think the pigeon would have done it.)
Richard disappears from his life and everything he knows. He wanders around aimlessly until —
Well, let's just say the author does not disappoint. I found it difficult to put down the book, and as I read it, I would every once in a while turn to David and say, "This is really really good." Then I'd turn back to the book and be lost.
With Gaiman, one literally does not know what will come next. At every turn, I wondered, and was delightfully surprised by what the author had in store. It was one long surprise, which is a rare treat.
There are many rich moments in the book, but one in particular stands out: Richard is challenged to either believe his reality at that moment, or believe that it's all in his head. Like one of the more interesting "Buffy the Vampire Slayer" episodes, the hero is provided with two equally convincing scenarios. However, as with just about everything in London Below, Richard has no room for error. Choose the wrong reality, and — well, let's just say the pain might not last too long, maybe. If faced with life as you knew it, which was so comfortable, and the new reality, which decidedly was not, which would you trust yourself to choose? Or rather, where would you prefer to be?
As the book came to a conclusion, it did follow part of a path I had anticipated — or rather, what I had hoped. I had come to love the characters and wanted the best for them. Thankfully, the conclusion wasn't exactly as I thought. The final pages went where I was glad to follow them.
If you like Neil Gaiman, this will not disappoint. If you like fantasy, this will be your book. If you like a story that you don't see coming, go get this book right away. Afterward, I suspect you never will look at the seemingly discarded members of the human race again.
7/10/08
7/5/08
Chris' Top Five Fave Summer Reads
With the late Mr. Juster's birthday in the so-recent past, I celebrated my favorite book of his and wondered what books I would want with me if I was on the beach — of a desert island, or in the midst of holiday revelers.
These are books I have read. Some are oft read, some aren't because I have shared them. The list of books I have yet to read for the summer will follow soon!
The Phantom Tollbooth
This novel is perfect to share with readers of all ages. It's classified as juvenile fiction, but as fans of Harry Potter know, "juvenile" is in the eyes of the beholder. Norton Juster creates a fabulous world that can be taken on many different levels, depending on the reader's age and maturity (which can be mutually exclusive).
Mr. Darcy Takes a Wife
Readers might want to take along a dictionary when they read this wonderful novel, but it's not really necessary. Linda Bertoll is very clear, no matter her vocabulary. As one fellow reader put it: He takes her again, and again, and.... You get the gist. It's a great romp for the reader as well. One always wanted to see how the Darcys wound up — and now one does.
No Angel
Romance, sex, intrigue, consuming passion, family obligation, wealth, loyalty, wartime — and enough to last for more than a single generation! Penny Vincenzi wrote the perfect Fluff 'n Trash™ story that has the interest and energy to last for three books. I have recommended this book many a time since my friend Kathy introduced me to it, and every person has instantly read the subsequent novels. Now, I myself have read only the first book in the trilogy, but I can't wait to read the rest. I might have to alter this list to include all three novels!
The Moon is Always Female
I love poetry, and this volume really speaks to me. Marge Piercy can be a little heavy-handed, but I like her language, rhythm and line breaks — not to mention her sentiment.
Wicked
I thought I knew the story of Oz — that is, until Gregory Maguire got a hold of it. The Wickedest Witch There Ever Was: was she really wicked? Says who? And why? Under some circumstances, one does not delve. For example, when Dr. Seuss tells readers no one knows why the Grinch was grinchy, one should believe him and not delve into live-action Whoswapping. However, when Maguire raises the question, readers want to know — and see differently what was once clear. (This book is not the musical, and vice versa. Both are fabulous in their own rights, but they are not the same. Trust me.)
And to be fair, here are Some Books that Don't Belong on This List (in no particular order — and not because they're not good, because some of them are!): Jude the Obscure (come to think of it, anything by Thomas Hardy) • Middlesex • The Last Templar • House of Sand and Fog • A Good and Happy Child • The Somnambulist • and more....
Let me know what you would (or would not) put on your list.
These are books I have read. Some are oft read, some aren't because I have shared them. The list of books I have yet to read for the summer will follow soon!
The Phantom Tollbooth
This novel is perfect to share with readers of all ages. It's classified as juvenile fiction, but as fans of Harry Potter know, "juvenile" is in the eyes of the beholder. Norton Juster creates a fabulous world that can be taken on many different levels, depending on the reader's age and maturity (which can be mutually exclusive).
Mr. Darcy Takes a Wife
Readers might want to take along a dictionary when they read this wonderful novel, but it's not really necessary. Linda Bertoll is very clear, no matter her vocabulary. As one fellow reader put it: He takes her again, and again, and.... You get the gist. It's a great romp for the reader as well. One always wanted to see how the Darcys wound up — and now one does.
No Angel
Romance, sex, intrigue, consuming passion, family obligation, wealth, loyalty, wartime — and enough to last for more than a single generation! Penny Vincenzi wrote the perfect Fluff 'n Trash™ story that has the interest and energy to last for three books. I have recommended this book many a time since my friend Kathy introduced me to it, and every person has instantly read the subsequent novels. Now, I myself have read only the first book in the trilogy, but I can't wait to read the rest. I might have to alter this list to include all three novels!
The Moon is Always Female
I love poetry, and this volume really speaks to me. Marge Piercy can be a little heavy-handed, but I like her language, rhythm and line breaks — not to mention her sentiment.
Wicked
I thought I knew the story of Oz — that is, until Gregory Maguire got a hold of it. The Wickedest Witch There Ever Was: was she really wicked? Says who? And why? Under some circumstances, one does not delve. For example, when Dr. Seuss tells readers no one knows why the Grinch was grinchy, one should believe him and not delve into live-action Whoswapping. However, when Maguire raises the question, readers want to know — and see differently what was once clear. (This book is not the musical, and vice versa. Both are fabulous in their own rights, but they are not the same. Trust me.)
And to be fair, here are Some Books that Don't Belong on This List (in no particular order — and not because they're not good, because some of them are!): Jude the Obscure (come to think of it, anything by Thomas Hardy) • Middlesex • The Last Templar • House of Sand and Fog • A Good and Happy Child • The Somnambulist • and more....
Let me know what you would (or would not) put on your list.

7/1/08
An Innocent, A Broad — Review by Chris
I am a huge fan of Denis Leary, whose No Cure for Cancer is one of the most amazing stand-up performances I have seen. In that show, he talks about his young son born prematurely in London. I am touched by that part of the show — Denis shows an amazing range of delivery, and who can resist a man's love for his infant son?
Imagine my surprise when I discovered his wife Ann wrote a memoir about that experience. Her first book was mentioned in an announcement for her new novel. So, I had to read it — I wanted to learn about the experience from the other perspective.
One of the most important elements of a memoir is the honesty. I don't mean A Million Little Pieces Dishonesty, where characters and situations are created for the "storyline." I mean honesty about herself and the situations around her. This was a very touching and tense story, and author Ann Leary could have taken the easy road with sympathy and saccharin-sweet reflections and observations. But then, with that sentimentality, could she have survived nearly three decades married to Denis?
I was prepared to like Ann Leary. I wasn't disappointed (until the cat incident, see below). She was an honest person about her own strengths and weaknesses. She did not always show her best side, and I was glad to read that; if she had presented herself as a flawless individual, I would have stopped reading pretty early on. She showed her interactions with the medical staff and she didn't always come off looking good; one can forgive her because she was trying to be active in her son's treatment. Those exchanges showed how patient and understanding the staff was with her.
She was very, very kind to her husband. When he was there, he was on — and I really enjoyed his presence in the story. He grounded her and was a fabulous husband and father. Heck, between his stand-up and her memoir, I'm a little in love with him myself. He asked the important questions. For example, when her water broke, he asked, "Are you sure you didn't pee?" Her answer made me laugh out loud, but also made me anxious for her. I'm sorry to say that he was gone most of the time, which was hard on Ann and on the story.
Imagine my surprise when I discovered his wife Ann wrote a memoir about that experience. Her first book was mentioned in an announcement for her new novel. So, I had to read it — I wanted to learn about the experience from the other perspective.
One of the most important elements of a memoir is the honesty. I don't mean A Million Little Pieces Dishonesty, where characters and situations are created for the "storyline." I mean honesty about herself and the situations around her. This was a very touching and tense story, and author Ann Leary could have taken the easy road with sympathy and saccharin-sweet reflections and observations. But then, with that sentimentality, could she have survived nearly three decades married to Denis?
I was prepared to like Ann Leary. I wasn't disappointed (until the cat incident, see below). She was an honest person about her own strengths and weaknesses. She did not always show her best side, and I was glad to read that; if she had presented herself as a flawless individual, I would have stopped reading pretty early on. She showed her interactions with the medical staff and she didn't always come off looking good; one can forgive her because she was trying to be active in her son's treatment. Those exchanges showed how patient and understanding the staff was with her.
She was very, very kind to her husband. When he was there, he was on — and I really enjoyed his presence in the story. He grounded her and was a fabulous husband and father. Heck, between his stand-up and her memoir, I'm a little in love with him myself. He asked the important questions. For example, when her water broke, he asked, "Are you sure you didn't pee?" Her answer made me laugh out loud, but also made me anxious for her. I'm sorry to say that he was gone most of the time, which was hard on Ann and on the story.
It also was an interesting comparison of the British and American medical systems. Ann is complimentary of the British system, which we see from the perspective of the person involved with it. As the current presidential candidates talk about this hot-button topic on the campaign trail (or not, depending on the financial crisis of the week), it's nice to see what other countries do for their sick people.
I was really in her court -- until she waxed on about killing a geriatric cat. I have a sense of humor, but not about that. Wishing ill on a 20-year-old arthritic, nearly crippled feline is not funny in the least. The incident took place near the end of the book, and it changed the way I saw her. I liked her up to that part, then I couldn't like her anymore. It was ugly and selfish and I saw her in a different, less flattering light after that.
As far as memoirs go, it was a good book. It wasn't mind-blowing, life-changing or otherwise pivotal. It was just an interesting tale told from a different perspective than I had heard to date. Just skip the parts about the cat and perhaps you'll like her at the end of the book.

Labels:
A Broad,
An Innocent,
Ann Leary,
England,
London,
memoir,
premature birth
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