Giant — Review by Chris

When I realized the movie "Giant" was based a book, and Edna Ferber was an author Carole had read and whose work she had enjoyed, I figured I'd find out if the book really is always being better.

It isn't.

Giant wasn't bad, but it wasn't good.

First of all, the book was not as grand and sweeping a tale as the movie — a full three-quarters of the book was set during the first six months Leslie, the new bride from Virginia, was in Texas. The rest of the book coasted along for the next two decades, then petered out. The saga started at the end, which I liked, but nowhere in the rest of the book was the opening scene set up or resolved. We get a few years down the road by the end of the book, but it's a short trip and not in the least bit exciting.

The characters were caricatures. Leslie's best friends were Texans with a capital "Tex" who were gauche and loud and selfish and Texas-centric. Bick's sister Luz was a joke, and she was supposed to be this immovable force who was more legend than real in the book. I couldn't help but see Leslie as Elizabeth Taylor and Bick as Rock Hudson as I read, and the book did them no justice. They weren't interesting or evolving or romantic. They were boring. Even Jett Rink was a snooze-fest, with a tepid love for Leslie, a limp hate of Bick and a alcoholism that wasn't tragic nor self-destructive.

Texas was a non-character. Texas, this bigger than life, sprawling state that is too big to know and too personal to not love, was not really there. Bick's beloved ranch was a minor footnote. His cattle, though, were there, sulking in the background, waiting their due.

There was lots of talk, talk, talk and yet no one really says anything. Everyone and everything skated across the top. Terrible conditions for Mexicans? Leslie hates it but that's only because she says so; there's no evidence that she feels that way. The next generation stirs up a lot of doscontent, with Jordy not wanting his father's life and Luz wanting into the businesses and Vashti's twins being spoiled brats, but we hear about it in passing, like it's background music we're supposed to vaguely recognize but not notice. Even Bick's future medical condition was glossed over, distractedly patted like a spoiled child you want to leave the room. No matter how serious things got, people didn't do more than have polite cocktail party conversation — except once, and that in the second-to-last chapter.

Gramatically, Ferber loved run-on sentences with stacks of verbs and adjectives. When three would do, she used them all without punctuation. It was distracting annoying ungrammatical incorrect. She should stop desist alter her rhythm choose a different tactic. Kind of like that, only really annoying.

So, my recommendation is to watch the movie and appreciate what Ferber brought to the party, but don't waste your time on the book.

So Big - Review by Carole

Yikes! I've been doing more reading than writing lately. I've been bouncing from one Pulitzer Prize-winning novel to another lately without taking the time to reflect. Shame on me!

Edna Ferber's So Big started me on this kick. This was the pick of one of my book clubs, and I thoroughly enjoyed it. I also enjoyed learning more about Ferber. One of the famed Algonquin Round Table members, Ferber devoted her life to writing. Sigh, I was born in the wrong era. I would have loved that life, those clothes...but I digress.

I hadn't read any Ferber--did you know she wrote the novels on which Show Boat and Giant are based? I didn't! She won the Pulitzer in 1924 for So Big.

So Big tells us the story of Selena, a young girl who grows up with a gambler for a father. When he is rolling well, they live the high life; when he's not, they eat at the boarding house table. But he always managed to pay her way at an exclusive girls' school. She gets a strong education from school and from him. When he dies unexpectedly, she has to make her own way. She takes on a schoolteacher job at a small farming community outside of fast-growing Chicago.

Her appreciation of beauty helps her see the color afforded by simple things, such as a field of cabbages, as she approaches her new life. This sentiment arouses rare humor in the taciturn, hard-working Dutch farm family with whom she comes to live. She finds a kindred spirit in their son, Rolff. Her influence, while brief, has a lasting impact on his life.

Before long, she finds herself agreeing to marry one of the community's farmers--a kind man, but no great shakes in the imagination department. Selena tries to get him to see what their farm could be, but he continues in the ways of his father.

They have a son, Dirk, whom she nicknames "So Big" from the old baby game: "How big is baby?" "Sooooo Big". You can just picture her taking the time from digging up vegetables from the garden to play this game with her baby, taking great joy in seeing him hold his arms wide.

When she finds herself on her own again, Selena manages to carve out a life for herself and her son. She raises him with her values, but he internalizes things much differently. His life experiences are significantly altered from her own. It's a classic story of a parent who wants a better life for her child and works hard to make sure of it, but then is surprised to see how different the child turns out. Children who have a better life aren't forged by the same fires as their parents and thus don't form their characters, values, or work ethics the same way.

Selena and Dirk have a great love for one another, even if they don't fully understand each other. The story shifts to focus on Dirk's life. He has many of the things that constitute success in that era. After an attempt at an architecture career (of which his mother has very high hopes), Dirk decides to become a bond salesman (a career his mother doesn't fully understand). He is very good at it--he makes good money--he lives in a lovely a part of town. Yet, it is very clear to the reader that he really doesn't have anything. He has no wife and children; he cannot point to anything lasting that he has created or improved. He cannot see that, though, until an artist comes into his life.

His feelings for the artist force him to examine his life--he sees that she and his mother have more in common than he would have ever envisioned. He sees his life as a "rubber stamp" of Selena's--a cheap imitation in other words. He finds himself at a crossroads.

Chicago looms in the background throughout the story, growing and sprawling across the pages, making it as defined a character as Selena or Dirk. A truly American story of success and how that is defined--I couldn't put it down.